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Video Step Up: High Water, Episode 3

TheTV.info
50:10   |   today at 08:31

Transcription

  • [chill hip-hop playing]
  • -[door opens] -I said I'm fine.
  • You're not fine, Janelle.
  • Look, I don't-- I don't have to go.
  • -We can figure something else out. -Don't you dare say that.
  • This is the opportunity of a lifetime and I'll be damned
  • if I let you just throw it away.
  • I just don't get it. So what if I can't freestyle?
  • It's all choreography. They teach you a routine
  • -and you fucking learn it, right? -Right.
  • Anybody could just come in and do a few moves on a whim, that's easy.
  • -Wait, what? -[exhales]
  • What's that supposed to mean?
  • Even you said, you're not that ambitious.
  • I'm just worried you won't have the fire to survive there.
  • -[phone ringing] -You think I can't handle High Water?
  • -I didn't say that. -Well, I think you just did.
  • You think I can't handle fucking art school?
  • You don't dance every day. You don't know what it's like to compete.
  • Maybe I didn't want to compete. Did you think about that?
  • -It doesn't mean that I can't do it. -Doesn't mean you can, either.
  • Why, because I don't walk around like a psychotic perfectionist?
  • [Janelle] That's exactly my point.
  • Yeah, well, I'm sorry that I got something that you always wanted.
  • Guess you're just gonna have to live with it.
  • -No, you are. -Yeah, thanks for the support, Janelle.
  • -Whatever. -Hey!
  • Your mother's appeal didn't go through.
  • So she's gonna have to do the full three years.
  • Yeah. [sighs]
  • I'm not going back to Garvey, all right? I can't.
  • -Oh, okay. [chuckles] -So I need you to sign this,
  • and I need you to do it now, because the program starts today.
  • 'Cause you're not going back to Garvey?
  • I-- I can't go back there. Please.
  • You're telling me what you're not gonna do.
  • High Water? I thought I shut this down.
  • Well, you did, but for her. I'm asking for me.
  • I'll go by day and I'll get my GED by night.
  • I promise. Uncle Al, please, I need this.
  • -Gimme a pen. -Wait, you're signing that?
  • The boy needs a win. Look at his face.
  • [pen scribbles]
  • And since you guys think you're the Wonder Twins,
  • give me your paperwork. I might as well sign it now.
  • -I'm not going. -What?
  • I didn't get in.
  • Shit.
  • [blender whirring]
  • [man] Congratulations, you just made it into High Water.
  • Whoo!
  • There she is.
  • Here. Drink this and get dressed.
  • [sniffs] Mm. What is it?
  • Hangover cure, guaranteed to make you feel 100 percent better and erase...
  • You know what? We gotta go.
  • Well, hey, what's the rush? You got a roommate or something?
  • -[laughs] No, but-- -Good.
  • Hey... It's our first day, and I don't want to be late.
  • Yeah. Me neither.
  • I like your place.
  • It's great.
  • Yeah.
  • Hey, I can't find your socks.
  • Oh, uh...
  • I kept those on.
  • [chuckles] Oh, God.
  • [hip-hop playing]
  • Ohio! Isn't it a bit early for you?
  • Just trying to beat this heat, man.
  • So, you've got everybody and they mama
  • talkin' about your little brick through the window move yesterday.
  • -[chuckles] -Proud of you, man.
  • But... you know you fucked up, right?
  • Look, fuck Marquise, all right? And fuck Garvey, too.
  • I'm at High Water now, so it doesn't matter.
  • I'm not gonna see that asshole anymore.
  • Hmm. You think a guy like Marquise
  • gives a damn whose property you're on?
  • Right.
  • Look, this'll blow over eventually, all right?
  • But until then, I need you to keep a low profile.
  • All right?
  • Come on.
  • -Come on, what? -I'm giving you a ride.
  • You're walking to school in that coat...
  • -is like a walking neon "shoot me" sign. -[chuckles]
  • I think you mean "kick me," because that's what they usually--
  • [car starts]
  • Haven't you ever wanted something so much
  • that you knew that you had to go for it no matter what it took,
  • because that thing was gonna change your life forever?
  • [sighs] No.
  • Look, I know I'm supposed to say somethin' about, "This is life,"
  • and you know, "Things don't always work out,"
  • or "Everything's not meant to be."
  • No, but this was meant to be.
  • I was gonna get in until they screwed me over.
  • -They screwed you over. -Yes, I was set up.
  • Somebody messed with my music.
  • They set you up.
  • -And you know who this was? -A hundred percent.
  • [sighs]
  • Then there's only one thing to do.
  • You gotta go down there and demand a second chance.
  • -Really? -Absolutely.
  • Or I could do it. I mean, I'd go there right now.
  • Oh, no, no, it's okay.
  • -I got it. -Why don't you change clothes?
  • -[scoffs] -Hey.
  • Don't ever lie to me again.
  • -I'm sorry you think someone-- -No, I don't think, I know.
  • They were practically bragging about it.
  • And we'll look into it, but...
  • -my decision still stands. -But--
  • That's-- That's it? I just told you what happened. That's all you can say?
  • -Unfortunately, yes. -But that's not fair.
  • [takes deep breath]
  • Look, no disrespect, but I would like to speak to Sage.
  • Dancer to dancer, I think he'd be a little more sensitive.
  • For your information, at your age, I was dancing and singing, too.
  • Only professionally.
  • Well, I-- I didn't know.
  • Dancer to dancer, Janelle, you're very good.
  • And if you keep working at it,
  • maybe one day you'll be great. Who knows?
  • But right now, I see someone who wants to make it as a dancer
  • more than you actually want to express yourself as a dancer,
  • and there's a huge difference between the two.
  • So you have more ambition than soul.
  • And when the two can catch up with each other,
  • you'll probably go a long way,
  • but for right now, that is all I can say.
  • Good luck.
  • And really look out for each other, okay?
  • 'Cause just like Rigo, King, and Poppy came after me,
  • they're probably gonna come after you guys, too.
  • I was just their first target.
  • -That's so fucked up. -Nah, that's beyond fucked up.
  • You don't mess with another guy's livelihood.
  • Anybody trying to get in the way of what we're doing here
  • is gonna learn real quick.
  • Hey, before you go, could we talk for a second?
  • I've got a session on the other side of the building,
  • and I've really gotta go. But... we'll catch up.
  • -I promise. -Yeah.
  • Yeah.
  • [cell phone ringing]
  • -[desk phone ringing] -[sighs]
  • Collette Jones.
  • I'm not answering your calls for a reason, okay?
  • Do not call me again. We will talk later.
  • I gotta go. Bye.
  • You want to tell me who the fuck let East-O's kid in my school?
  • I did. Is there a problem?
  • Is there a prob-- You know good and goddamn well there's a fucking problem.
  • East-O's kid? Come on! East-O's a fucking lunatic
  • and I don't want him anywhere near me or nothing I'm doing.
  • Well, East-O is not a student at this school, his son is.
  • 'Lette, look, I'm not playing, all right?
  • Rigo's one of the most talented kids in this city.
  • But you wouldn't know that because you haven't been around here
  • since the fucking groundbreaking ceremony.
  • Well, I'm here now, and I want his ass gone.
  • -Make it happen. -Oh, okay.
  • You put me in charge, and we decided that I was going to be making
  • all the decisions for this school.
  • So unless there is a real reason
  • why he should go, Rigo stays.
  • [woman] That was the craziest audition I've ever seen.
  • Like, where the hell were his shoes?
  • [Rigo] Yeah, but on the real, yo,
  • it was just all way too emotional for me, man.
  • [laughs] The way him and his sister was getting pulled apart from each other...
  • [woman] That was so hard to watch.
  • Yeah, don't get it twisted.
  • Dude danced his ass off yesterday.
  • Whatever.
  • What you looking at, bruh?
  • [scoffs] Yo, I swear, yo,
  • nothing but weirdos in this bitch, man.
  • [Rigo groans]
  • What's up, everybody? How y'all doin'?
  • Come on, basic warm up. Let's get into it right away.
  • -[hip-hop playing] -I want to see some good energy.
  • And focus. You know how I like it.
  • Stay loose!
  • [hip-hop playing]
  • Hey! Hey!
  • [shouting encouragement]
  • Back it up!
  • Movin' right, and...
  • Double!
  • Hey! Come on, man!
  • Catch it up, let's go!
  • Move up!
  • Break it down, brother!
  • Come on!
  • Hands up!
  • Hey!
  • Up! And down!
  • Hey!
  • Come on, man! Go get it!
  • That's it! That's it!
  • Let's see the freestyle, y'all, come on!
  • Hah!
  • Here we go! Come on, I see ya.
  • Now nail it! That's it.
  • All right, precious, I like it!
  • Come on! Whoo!
  • [all cheering]
  • You got it, girl, come on!
  • Come on, man, get in there! Let's go!
  • It's a good time.
  • Come on, man, come on!
  • Come on, y'all! Back up.
  • Come on! Hah! Hah!
  • Hip up!
  • So you're saying you know nothing of a corrupted track?
  • What happened between you and Janelle was just a coincidence?
  • Absolutely. I mean, Rigo and King are a lot of things,
  • but evil geniuses isn't one of them.
  • Okay. Well, that's good to know, because contrary to popular belief,
  • no one is above the law here.
  • You ain't gotta tell me that.
  • And this wouldn't have anything to do
  • with your most recent breakup with Rigo?
  • What, you didn't think I'd know?
  • [scoffs] Nah, there's no drama. She messed up the freestyle.
  • -Simple as that. -Good.
  • I'd hate to think that you would sabotage another woman over boy drama.
  • Don't let your loyalty to Rigo become a liability.
  • Meaning...?
  • Meaning I think you need to rely on your own power.
  • I told you I coulda handled it. That was some stupid shit, Rigo.
  • I did it for you. Why are you tripping?
  • Yeah, well now your little stunt's got Collette looking at me all cross-eyed.
  • Who cares what she thinks? I'm dancing for Sage now.
  • That means there's nothing for us to worry about.
  • Sage paid attention to you for five minutes, so don't get cocky.
  • And did you see Davis and Odalie?
  • They ain't playin' no games.
  • And you saw what that crazy kid did yesterday.
  • Bruh, I just said I'm dancing for the man who founded the damn school,
  • and you're worried about some randoms? Are you serious right now?
  • Yo, what the fuck is your problem?!
  • You're my fucki'' problem, bitch.
  • -What?! -You heard what the fuck I said.
  • You know what? If you ever try to set me up
  • the way you did Janelle, I swear to God I'll break your fuckin' neck.
  • -Man, I'll beat your ass up! -Hey!
  • -What? What? -Calm down.
  • -[Sage on PA] Ladies and gentlemen... -[woman] Sage is here.
  • If you could kindly make your way
  • to the main hallway immediately, thank you very much.
  • [all chattering]
  • First and foremost, I'd like to thank you all for coming out.
  • I understand how incredibly busy you are, so I will make this brief.
  • It would appear that there's been some speculation
  • as to why I've come back.
  • I've even been told that some people have issue with the fact that I've come back.
  • And to those people, I say kiss my entire black ass.
  • -[laughter] -That is not the announcement.
  • The real reason that I brought you all here today,
  • the reason that I called this press conference,
  • is to let the entire world know...
  • ...that I'll be starting a brand-new tour for the summer.
  • -[students murmuring] -All new music.
  • And High Water will be the headquarters
  • of the entire fucking thing.
  • [cheers, applause]
  • That's right! Any questions?
  • -[clamoring] -Go.
  • Melissa Knowles, HLN. How many cities?
  • Mm, details are currently being ironed out. Next question.
  • -[clamoring] -[Knowles] Will there be any opportunities
  • for any of the students to join the tour at some point?
  • [camera shutter clicking]
  • Good question, good question.
  • Yes, there will be an opportunity for some students to join me.
  • Now, students that show me that they can be professional, will be treated--
  • not to mention compensated-- as professionals.
  • Ladies and gentlemen, I'd love to sit and chat, but I have work to do.
  • -Thank you so much for you time. -[applause, cheers]
  • See you on the road.
  • [applause continues]
  • -[woman clears throat] -Okay.
  • You got all that, right? Okay, so tomorrow--
  • Excuse us for a second. Thank you.
  • -A tour? A tour. -Uh-huh.
  • And all new music? Sage, there's no new music.
  • Then I will make some new music.
  • It's all coming back to me. Okay? Don't worry about it.
  • Listen, if I say there's gonna be a tour,
  • -there's gonna be a tour. -It's that easy?
  • No, it's not that easy. But I'm me, Sage Odom.
  • Check's already cut. Fix your face, okay?
  • This is what High Water's about, right?
  • -Let's go. -[woman clears throat]
  • [footsteps receding]
  • [doorbell rings]
  • Hey. Thank your mom for dinner. Tell her it was great.
  • -Appreciate it. -Yeah.
  • Whoa, whoa, whoa, hold on. Slow down.
  • Want to ask you if you want to come to my party tomorrow night.
  • It'll take your mind off some things.
  • Sorry. Thank you, but I'm not really in the mood.
  • I gotta figure out what I'm gonna do, otherwise Uncle Al's
  • gonna have me back at Garvey, flipping wings.
  • Okay, so you don't flip wings.
  • Whoa, whoa, whoa, whoa, whoa.
  • Hey, you do realize I don't just go around inviting any ol' girl
  • -to come party with me, right? -Yes, you do.
  • You throw parties for a living. You invite girls all the time.
  • Point taken, but I've never offered to take a girl with me
  • as my quote-unquote "plus one" before.
  • It's a pretty monumental moment in Black History
  • -that you're kind of shittin' on right now. -[laughing]
  • -I think I'm a little offended. -Really?
  • Yeah. So what's it gonna be?
  • Dondre, I know that your parties are super fun, but I just...
  • -Just what? -[Al] Chit-chat's over.
  • unless you wanna come with me and fry some chicken.
  • Nah, I gotta... catch up on my soaps.
  • -[Janelle laughs] -Uh-huh.
  • That's why I never had kids.
  • -No return on your investment. -[Dondre chuckles]
  • Let's go, let's ride.
  • Tell your mama I don't eat pumpkin pie.
  • -That was casserole. -Yeah, whatever.
  • [Collette] It's just a little blip until I can figure out
  • where I'm gonna pull the money from, all right?
  • I'll have some answers shortly.
  • Okay, thank you.
  • So, how's the expansion?
  • Atlanta's a small town.
  • I'm not really here for small talk, okay?
  • I can see. I mean, we out here in the middle of fucking nowhere.
  • You trying to kill me or something?
  • I've asked you plain and simple to stop calling.
  • So now I'm here, talking to you face to face.
  • Our little thing, we can't keep doing it, okay?
  • -It's done. -Is that what you call it?
  • "Little thing"?
  • You are so beautiful.
  • You know what? [chuckles]
  • You know what? I-- I'm actually serious.
  • I am. Uh, Sage is back in town and so we can't keep doing this.
  • So it's like that? Are you serious?
  • Sage comes back and everything is over between us?
  • I'm the one that carried you when you fucked up your knee.
  • Where the hell was he?
  • The tour had to keep moving.
  • The tour? He blew up and he forgot all about us.
  • Sage made up for it. He gave me High Water.
  • He just using you up, until you got nothing else.
  • Okay, not going-- Not doing this.
  • Wait wait. Wait, wait, wait.
  • Did you not just hear what the fuck I said to you? Move!
  • Fucking move!
  • [car engine starts]
  • [McCoy] Now, I know you're all buzzing about the news.
  • But I need for you to understand that touring
  • is more than just about one person.
  • It's about us being a part of a unit.
  • Do you understand what I mean? A unit.
  • So for this assignment, what I need for you to do
  • is form groups of two or more and choreograph a routine
  • that demonstrates the power of teamwork.
  • Pick your partners.
  • [students murmuring]
  • So you wanna do this?
  • Yeah.
  • Hey, you got--
  • Hi. Hey, you, uh...
  • Oh, you-- you already have a group.
  • -Yeah, I already got a partner. -Cool.
  • You just don't get it, do you?
  • Nobody wants to dance with you because everybody knows
  • the way you got in here was straight bullshit, dawg. I said it.
  • You didn't do none of the work, you're not from around here.
  • You ain't nothing but a whack-ass dancer just like your sister, yo.
  • Fuck up outta here.
  • Oh yeah, if she's so whack,
  • then why'd you go out of your way to keep her out?
  • -Yo, don't play with me-- -Yeah, whatever.
  • Just let it go.
  • Ladies, ladies.
  • So if we do four-- two in each corner-- and you have four looking up--
  • -I came as soon as I got your text. -Know what I mean?
  • I can't tell you how excited I am to work with you.
  • Time for ass-kissing has come and gone, young one.
  • I'mma call you so we could finish this, aight?
  • So, got any stories about my dad from back in the day?
  • Did he really get all the ladies like he says? You know how he is.
  • Truth be told, me and your daddy weren't that tight. [grunts]
  • But like you said, "You know how he is."
  • -You got the steps I sent you? -Yeah.
  • -You studied 'em? -Yeah.
  • -Show me. -[hip-hop playing]
  • Five, six... Five, six, seven, and...
  • Yeah? Come on. Ready?
  • Five, six, seven, and...
  • Boom!
  • Bam. Hey, yo, explode.
  • Take it.
  • Slide. Stop, all right. Stop. Stop, stop, stop, stop.
  • You said you studied it.
  • -You told me you studied it. -Yeah.
  • Don't worry about it. I'm gonna add a little wrinkle right here.
  • Okay, so when we get here-- boom.
  • Here, from this slide,
  • throw out a chest right here-- boom.
  • Bring it down, over, on the toe.
  • Pull the shirt. [whooshes]
  • Come on. Five, six, seven, boom!
  • -Come on, man! -I got it. I got it.
  • Five, six, seven, and...
  • Big arms, big arms!
  • [quiet, mellow music playing]
  • Five, six, seven...
  • Okay, what's the problem?
  • -[sighs] -Nothing, okay? I got it.
  • You can't let that kid get to you like this.
  • -We've gotta focus. -Look, I know that, all right?
  • I've just got a lot of shit on my mind.
  • Well, get over it.
  • Fine.
  • You ready to address the elephant in the room?
  • Okay, fine. We'll have the damn talk.
  • -Last night was-- -The most fun I had in a long time.
  • That's why it can't happen again.
  • Mira, mamita, I swear you're amazing, all right?
  • And under normal circumstances, I swear, I'd be pursuing the hell out of this, but...
  • Look, my life is way too crazy to be
  • getting caught up in any extracurricular right now.
  • -I understand. -No, you don't.
  • Look, I'm gonna just be real with you, okay?
  • I'm homeless right now, and I get money whenever I can.
  • Plus, I got a little brother in foster care that I'm really trying to get custody of,
  • so I guess you could say I'm really kinda going through a lot of shit right now.
  • That's the reason why I got so mad at Rigo, okay? I'm sorry.
  • No, uh... My God, Davis, I'm sorry.
  • -I didn't know. I promise-- -No, it's cool, 'cause...
  • you know, then this whole High Water thing happened,
  • and then Sage makes this announcement.
  • I mean, this could be my answer.
  • If I make this tour this summer, I could stack some paper,
  • I could get my own place and my little brother could live with me.
  • You're the best dancer here.
  • That's why I need us to keep it strictly professional,
  • so you could make that happen for me.
  • Okay, uh... I'll do whatever I can.
  • Thank you.
  • Look, and I promise you, as soon as we make this happen,
  • you'll be our first house guest, okay?
  • [chuckles]
  • That's on my pinky shit.
  • All right, now that we got the air clear...
  • ...let's smash this routine.
  • Five, six, seven, and...
  • Stop, stop, stop, stop, stop.
  • Levels, all right? Don't ever give 'em the same energy twice.
  • All right, if I can see it coming, it's wrong.
  • Say, it. "If I see it coming, it's wrong."
  • -If I see it coming, it's wrong. -Five, six, seven, and...
  • Stop, man! Now you're telegraphing.
  • Come on, you do that shit on stage,
  • people gonna demand they fucking money back.
  • -Can you hear me? -Yes.
  • -Then say something. Can you hear me? -Yes.
  • I shouldn't see the next move coming, right?
  • Five, six, seven, and boom!
  • Don't-- don't telegraph that shit. Stop!
  • Stop, stop! Are you here to waste my time?
  • -No. -I don't got better shit to do than this?
  • -Yes. -You wanna be a icon, right?
  • -Yes. -Do you wanna be a icon?
  • -Yes. -Then show me, goddamnit!
  • Five, six, seven, and--
  • Uh-oh, somebody looks tired.
  • Are we tired? Icons don't get tired.
  • You think I'm gonna let you be tired?
  • Hell no, you ready? Are you ready?
  • Five, six, seven-- Next, let's go.
  • You're embarrassing yourself and wasting my time.
  • Sloppy. Real sloppy.
  • Come on, man, levels!
  • All right, that's enough for today, Rigo, you can go home.
  • [music stops]
  • I expect better tomorrow.
  • -What the hell was that? -Just testing the kid.
  • He's all that. He's supposed to be able to handle it, right?
  • Okay, that's bullshit and you know it.
  • All right, so how about this?
  • If I can't kick him out, I'll make him quit.
  • [Collette] What is wrong with you?
  • We're supposed to be building these kids up.
  • There's kids here that need our help
  • and there's kids and parents here that ain't gonna be nothing but trouble for us.
  • -Sage-- -You don't know how dangerous East-O really is.
  • He could come in here and destroy everything I've built
  • -and I'm not fucking having that. -Got it. I got it.
  • But listen, whatever your beef is with him,
  • you can't take it out on his kid.
  • You want East-O gone? Fine. Find another way.
  • [door opens, shuts]
  • [hip-hop playing on TV]
  • Damn it.
  • -Can I help you? -Yeah, is Tal here?
  • Um, no.
  • I'll wait.
  • Uh, you know what, actually I don't think Tal is coming in at all today,
  • so can I help you with something?
  • You must be the twin.
  • What's up, shorty? My name is Marquise.
  • That crazy muthafucka that beat your brother's face in.
  • It's nice to meet you.
  • [scoffs]
  • All right, you tell that bitch boy you don't just trash my car and walk away.
  • Me and him, long fuckin' way from done.
  • I'm not sure what he did or what you're talking about,
  • -but I'll pay for the damages. -Man, fuck them damages!
  • This ain't about the money.
  • Me and him squarin' this shit face-to-face, you feel me?
  • Hmm?
  • [gasps]
  • Then again, you're the sister, right?
  • Maybe you'll do.
  • My bad, my bad, Janelle, sorry I'm late.
  • Take your break now.
  • Hey, my man, you good? You good? Can we take your order or something?
  • Man, I'm straight, dawg.
  • -Thank you. -All right, cool.
  • I'mma see you later, twin.
  • [door opens]
  • I don't know this guy, Tal, but he was serious, okay?
  • -I was scared for my life. -Well, I don't know what to do, okay?
  • Dondre said to just lay low and wait it out.
  • I don't care what Dondre said. We can't just wait it out.
  • We've gotta call the police, or--
  • -[window shatters] -[both cry out]
  • [panting]
  • The fuck was that?
  • [tires peeling out]
  • [Tal] Shit. I think they're gone.
  • [sighs] Oh, fuck.
  • Look, let's just get this shit cleaned up.
  • -[pounding on door] -[gasps]
  • [Dondre] Open up. It's Dondre.
  • [Janelle exhales]
  • [continues pounding]
  • Everything okay?
  • -What happened? -This guy Marquise threw a fuckin' brick through--
  • Wait, wait, wait, Marquise?
  • Yeah, he came to Wings and Wangs earlier
  • threatening me 'cause some shit Tal did.
  • -Fuck. -I just don't know what to do.
  • No, it's okay. You don't have to do nothing. Come here.
  • You don't have to do anything.
  • We'll figure this out, okay?
  • [sighs]
  • Think I got something in the garage to patch that up, all right?
  • -You good? -Yeah.
  • All right.
  • So, uh, what was that all about?
  • -What was what? -You and Dondre.
  • What, are you like a thing now?
  • Uh, is that really what you wanna talk about right now?
  • No, no, I'm just saying.
  • But, I mean, if you don't like him,
  • probably don't lead him on.
  • It's not really fair, you know?
  • Fair to who? Him or you?
  • -[chuckles] Does it matter? -Are you serious?
  • You're the one who got into High Water.
  • You're the one who gets to dance every day and live my dream.
  • You've got my life. And now you want Dondre, too?
  • He's not even gay!
  • For your information, no.
  • No, I don't want any of that.
  • I don't want Mom to be in jail.
  • I don't want to be here, and I don't want to be at a school
  • where I fail every minute of the fucking day.
  • No, Janelle, I don't want that.
  • Look, I'm sorry, okay?
  • That school is lucky to have you.
  • -Yeah, whatever. -No, I'm serious. Hey...
  • You just started doing hip-hop and you're really good.
  • Okay? And not just that, but you can write, you can draw,
  • -you're ridiculously talented. -[light chuckle]
  • Look, you've got to get your ass back in there tomorrow
  • and show them what you're made of, okay?
  • You took my spot. You owe me that.
  • -Okay? -All right.
  • All right, and if you go back tomorrow, you do that and you still want to quit?
  • -Then I'll kick your ass again. -[laughs]
  • Yes, ma'am.
  • Hey, you do video, right?
  • Yeah, so I have this dog, but I want to blow it up.
  • I want to make it like a silhouette, so I saw you using the green screen.
  • And if I can use that to blow it up and make them silhouettes that move...
  • So you know your boy had a private session with Sage yesterday, right?
  • -Yo, are you for real? -Yeah, man, we was choppin' it up about the tour.
  • He was showin' me moves. Man, you know how it is.
  • Man, I wish I would've been there, 'cause I would've told Sage,
  • "You ain't gotta teach me nothin', pimp."
  • Peep this right here. Turn me up.
  • [hip-hop playing]
  • -[laughs] -Yeah, Mr. Odom.
  • -What you know about that, shorty? -Nah, nah, nah.
  • See, you gotta break it down like this.
  • -Peace. -Hey!
  • Okay.
  • [students cheering]
  • -[music increases in volume] -Hey! Hey! Hey!
  • [all cheering]
  • [cheering]
  • [loud cheering]
  • Yeah!
  • -[loud cheering] -[music stops]
  • [man] All right, come on, break it up.
  • Back to class. Let's go.
  • Poppy. Poppy, come on.
  • -Professional. -[laughs] Yeah.
  • Hey, look, that was crazy. This is the energy we need
  • to bring to class later today, okay?
  • Mm-hm. Let's go.
  • [engine shuts off]
  • -[hip-hop playing on stereo] -[laughs]
  • Hell, nah, I know Dondre ain't in the trap.
  • Let me guess, you either chasing some project chick
  • or your phone navigation all fucked up.
  • Nah, none of that.
  • -Can I talk to you for a minute? -Of course, man.
  • Hey, you still having that party tonight?
  • Of course. You gonna fall through, right?
  • Man, you already know. And for the eleven-teenth time,
  • you need to let me sell my inventory at your jam, homie.
  • -Ah. -Trying to tell you, man, we could make a killing.
  • You keep shooting me down, but drug money is still money.
  • And if it's good for me, it's real good for you.
  • You won't even know I'm at the damn party, dawg.
  • You'll just see me in the back and get a nice cut on the back end.
  • -Yeah? -Yeah.
  • All right, hypothetically speaking,
  • let's just say I was open to the idea for a minute.
  • -Hmm. -What would you do for me?
  • I just told you I'll give you a cut on the back side.
  • Nah, you can keep the cut. I want something else.
  • -I'm listening. -I need you to let the beef
  • with ol' Ohio boy and his sister slide.
  • I'll take care of the damages.
  • -Just let them be, all right? -[laughs]
  • Damn, I mean, I know shorty fine and all that,
  • but is the ass really that good, homie?
  • -Nah, it ain't about that. -What you mean it ain't about that?
  • -It ain't about her? -Nah.
  • Who's it about? Is it about him?
  • -Nigga, you gay? -Chill out.
  • Hey, let me know, homie.
  • I ain't giving my Chick-fil-A up for nobody.
  • Whatever, man. We got a deal or what?
  • [groans] All right, let's run it.
  • We got that. We got a deal, homie.
  • All right, man. Keep it easy, Dondre.
  • Aight. All righty.
  • Easy money.
  • [R&B playing]
  • [cheering, applause]
  • That, my friends, is what we mean by collaboration.
  • That piece was about teamwork, connection, and trust.
  • As well as some other intangibles. [laughs]
  • Okay, who's left?
  • You haven't gone yet.
  • -Where's your group? -Uh...
  • [snickering]
  • I just need a minute.
  • What's that?
  • [indistinct chatter]
  • [downtempo hip-hop playing]
  • [energy kicks up]
  • [cheers, applause]
  • Bravo!
  • Bra-muthafuckin'-vo!
  • Did y'all see that? Did y'all see this?
  • This is what I'm talking about! This-- This is what I need.
  • -This is why I'm here! -He didn't even follow the assignment.
  • Shut up. He did do the assignment.
  • He was supposed to partner. He partnered with himself.
  • Thinkin' outside the box. He just raised the bar
  • on all you muthafuckas, and you know what?
  • I love it! You wanna rock with me?
  • -Stuff like this. Yes? -[students] Yes.
  • -Yes? -[louder] Yes!
  • -Great job. Great job. -Thanks, man.
  • Shit like that!
  • [McCoy] Thank you very much, everybody.
  • Class dismissed.
  • [indistinct chatter]
  • -Great, man. -Thank you.
  • Good job.
  • -Yo. -Man!
  • I couldn't have done it without you, man, seriously, thank you.
  • [Poppy] All right, I see you.
  • That was tight.
  • [chuckles] Uh... thanks.
  • But you know you gotta do that every day here, right?
  • Yeah, right, I'm starting to figure that out.
  • All right.
  • And, yeah, hey, but... for what it's worth,
  • Rigo shouldn't have stepped in for you at the battle.
  • That's wrong.
  • I know.
  • Sorry, sir, I can't let you in the building right now.
  • What? You know who I am?
  • Of course I do. You're Rigo's father,
  • but it's Sage's new policy.
  • No parents allowed during school hours.
  • Sage's policy? What kind of bullshit is that?
  • I'm sorry, but, uh, either you can wait out here
  • or I can have you escorted off the property.
  • Boy, you ever put your hands on me, I--
  • All right. Forget this shit.
  • You be sure and tell your little boss...
  • he can't keep me out of everywhere.
  • Fuck!
  • Hey, I'll holla at you.
  • Aight, dawg. Be good.
  • Hey.
  • Hey, congratulations on our little battle earlier.
  • You dope as hell.
  • But I'm pretty sure you already know that, though, right?
  • Not really, but that's nice of you to say.
  • Hey, hold on, wait.
  • Check it. All right, Sage been working with me one-on-one
  • to get right for the tour, and the moves is mad fire.
  • so if you're interested,
  • I wouldn't mind showing 'em to you.
  • -Sage. -Yeah.
  • Okay. Sure, I guess.
  • [Sage] Rigo. Rigo?
  • Let me talk to you right quick.
  • See? Told you.
  • -How you feel? -Good.
  • You know why I was working you so hard yesterday, right?
  • Nah, man, it's cool. I can handle it.
  • I know that, 'cause you're a star.
  • [chuckles]
  • I don't see it in a lot of people,
  • but I see it in you. You got that potential to...
  • -You know what I mean? -Yeah.
  • But you gotta be willing to do what it takes.
  • -You know I am. -I know. I know.
  • Listen, nobody's been there but me, so I'm the only person
  • -that can really guide you, you dig? -Ain't nobody gonna outwork me.
  • I know that, but see, the work is the easy part.
  • You know what the hard part is?
  • Hard part is coming to wraps with the fact
  • that everybody can't take the ride with you.
  • Let me explain something to you. See...
  • when you're a star, there's gonna be a lot of people want to tag along,
  • ride your coattails, take credit for shit,
  • get in your way, slow you down.
  • You know, folks like your pops.
  • But you trust me, though, right?
  • Yeah. Yeah.
  • I ain't gonna steer you wrong, brother.
  • -It's me and you, yeah? -Yeah.
  • -Always, bro. -All right.
  • All right, man, I'll holla at you.
  • All right.
  • Hey.
  • What up?
  • Sage taking care of you like I asked?
  • -Yeah. -He say anything about those beats I gave him?
  • Yeah, he said he was gonna get right on it.
  • All right.
  • [engine starts]
  • [Davis] Today was such a blast.
  • Thank you.
  • Hey, don't thank me now.
  • Just buy me dinner every night when you make it.
  • -[both laughing] -Okay, okay, deal.
  • When I get as good as you, I'll be happy to.
  • Hey, if you wanna, you can crash on the couch here tonight.
  • Just friends.
  • Pinky shit.
  • [sighs]
  • Nah, nah, I better not.
  • I'll see you tomorrow, okay?
  • See you tomorrow.
  • Thanks.
  • Wow. [exhales]
  • [sighs]
  • [ratchet clicking]
  • What-- what the hell's this?
  • [chuckling] It's a-- It's a ballet pole.
  • You'd be better at this than fightin'. You know.
  • Not the kind of pole that I was gonna put in here, but, you know.
  • Hey, congratulations, kid.
  • Keep up the good work.
  • [down-tempo music playing]
  • [chuckles]
  • [Al] You must be out of your damn mind if you think
  • I'm gonna let you go out of this house at this hour!
  • [Janelle] Come on, I worked for you all day.
  • The rest of my day was shit.
  • -I just need some air! -You better listen to me.
  • 'Cause you're gonna do something you're going to regret!
  • -Hey, Dondre. -What's up, girl?
  • I'm sorry I missed dinner.
  • Um, I'm just leaving the campus library now.
  • My meeting with the professor ran late.
  • So I'll be home soon.
  • [woman] All right. I'll see you then.
  • -Okay, bye. -Bye, sweetheart.
  • [hip-hop blasting on sound system]
  • [man] Hey, Dondre!
  • Yo, Dondre!
  • [Janelle chuckles]
  • What's good, baby?
  • [chattering]
  • Relax. Everything's cool.
  • Watch.
  • [man 2] Yo, sick party, Dondre!
  • What did you do?
  • We came to an understanding.
  • Tell your brother we're all good now, okay?
  • But no more bricks through the window, all right?
  • Thank you.
  • Any time.
  • [new song playing]
  • [all chanting] Turn up! Turn up! Turn up!
  • Turn up! Turn up!
  • You know what this is, right?
  • What, did you want one?
  • Uh, yeah.
  • Yeah.
  • [phone buzzing]
  • [door slams]
  • [high-energy club music playing]
  • [crowd cheering]
  • [crowd chanting] Turn up! Turn up! Turn up!
  • Turn up! Turn up! Turn up!
  • Turn up! Turn up! Turn up! Turn up!
  • One, two, ready, hey!
  • Next on Step Up High Water...
  • I have a show coming up and I need a dancer.
  • What if you let me help you throw your party tomorrow night?
  • I'm about to proposition you.
  • You know you're not my type.
  • Are you seriously here with Rigo right now?
  • I am doing what I need to do to make it.
  • Either you in or you ain't.

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Tal fights to keep up with his new classmates, Sage makes an unexpected announcement, and Davis is faced with a family issue that could derail his future.

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